In the summer of 2012, undergraduate student at Parsons The New School for Design in New York City, Yulan Grant, had the idea to make a zine. Her theme: a visual history of baby hairs, a technique of gel-sculpting the wispy hairs at one’s hairline, popular in Black and Latino culture. Given her studies in graphic design, she had no issue with the visuals, but needed writing. For this, she contacted her close friends and schoolmates at the affiliated Eugene Lang College The New School for Liberal Arts, Brandon Owens and Justin Allen. Brandon wrote two haiku on the topic, and Justin, a piece of prose poetry. Before the end of the summer the zine was finished, copies printed. By fall, it had been included into traveling zine archive the POCZine Project.
Soon their zine, simply titled Baby Hair, would be traveling the country with the works of numerous other people of color that decided to bypass the publishing industry in favor of complete artistic freedom. But not before they were offered a gig by aspiring curator Johnny Sagan.
Early meetings with Sagan, under the curatorial name Snowy Wilderness, left both Grant and Allen in bewilderment. Tasks were listed off at a rapid pace and seemed both promising and abstract. The gig: Sagan, curating a series of art shows in collaboration with Brooklyn-based gallery Superchief at Lower East Side bar and gallery space Culturefix, had gotten a hold of a copy of Baby Hair and wanted Grant and Allen to produce in house zines to accompany the gallery shows. Their first project, a zine for House of Ladosha’s show THE WHOLE HOUSE EATS.